The Fujifilm X-M5 Field School

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Colour, video and workflow

A beginner RAW workflow

Offload, back up, cull hard, then edit only the survivors — and only five things: exposure, white balance, crop, highlights and shadows, and a little sharpening. Everything else is optional for years.

offload back up cull edit 5 things export

File organisation that survives ten years

  • One folder per shoot, named by date first: 2026-08-14 Lisbon day 2. Dates sort themselves; names never do.
  • Never rename or restructure the originals. Keep the camera’s files as they came off the card.
  • Two copies, minimum, in two places. An external drive plus cloud storage is enough. A card is not a backup.
  • Verify before formatting. Open a few files and check the count matches, then format in the camera.

Culling, which matters more than editing

Go through once, quickly, and mark only what you would show someone. Do not rate on a five-point scale; you will agonise. One pass, two categories: keep, or ignore. Then a second pass over the keepers to pick the ones worth editing — usually two or three from a day.

The five edits that matter

EditWhat it fixesHow far to go
ExposureThe whole frame too dark or brightUntil the important tones look right, not until the histogram is centred
White balanceColour cast from mixed lightNeutral, then a nudge back toward how the place felt
Crop and straightenLoose framing, tilted horizonStraighten always. Crop only to strengthen, never to rescue
Highlights and shadowsBright sky, dark facesRecover highlights first; lift shadows last, because lifting adds noise
Sharpening and noiseSoftness and grainA little sharpening for the size you will show it at; leave some grain

One Fujifilm-specific fact about software

The film simulation is a rendering instruction, not something baked into the RAW. Only the camera itself — in-camera conversion, or Fujifilm’s X RAW STUDIO — applies it exactly. Capture One and Lightroom’s Camera Matching profiles get close; a general photo library app does not. So if the Fujifilm look is why you bought the camera, either keep the JPEG or convert in camera.

Exporting

DestinationSettings
Social media, messagingLong edge 2048 px, sRGB, JPEG quality 80-90
Your own websiteLong edge 1600-2048 px, sRGB, sharpened for screen
Printing at home or a labFull resolution, sRGB unless the lab asks otherwise, no extra sharpening beyond what the lab suggests
ArchiveKeep the RAF plus the edit instructions. Do not archive JPEGs as your only copy

Work non-destructively. Lightroom, Capture One, Apple Photos and darktable all store edits as instructions and leave the original untouched — which means an edit you regret in two years costs nothing.